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Because I do a good amount of composing and I work with virtual orchestra realizations a good bit, I’ve got EZ Drummer and Stylus that I use to help me get going with drums. Drum grooves really help me get into the vibe/feel of the tune.
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And it also works where they say, “Let’s do a mod (key change) and go back and do one more chorus.”įor Retro Hymns 2, I did something a little different than I’ve done in the past. When working with singers, number charts work well because ANY singer can walk up, tell you the key, and you’re off and running. I went ahead and wrote out the first part of the songs with chords in case you want to compare Numbers Vs. When we tracked ‘There Is a Fountain’ for Retro Hymns 2, I had actually written a number chart that we tracked with. When I switch to B concert, a 4 chord is an E chord (4th scale degree).ĪND…if you’re tracking a record with a guitar player and he decides he wants to use a capo, a number chart is an AWESOME thing for him. The benefit of using numbers when working on lead sheet ideas is I can mess around in different keys immediately. If there’s an F# in the key of C, it’s often labeled 4# or #4. In the Key of C, a C chord, would labeled ‘1’. The general idea is that chords are assigned numbers, very much like the Roman numeral system you would have learned in music theory in college. Side note: A number chart is what is called ‘The Nashville Number System’ and is a REALLY easy and quick way to chart things out. For some, I write it straight into Finale. Some songs I write out a number chart first. Eventually the overall tune takes shape and I start working on a road map.Įvery arrangement is different. For me I start working on chords and when I figure out a section that feels good, I put it down on paper, usually on a legal pad or copy paper. Once I felt like I had a song that I felt would work and I had a general groove/vibe direction, I started working on creating a lead sheet. In the last blog, I talked about general feels and grooves and singing the melodic lines as a horn player to see if it fits. I spent many, many days in the studio looking at copies of Lari’s number charts he wrote on yellow legal pads. I moved to Nashville in January 1996 (20 years ago now) to intern with Lari. This idea represents so many things to me musically.įor many of my friends here in Nashville, this represents my hero, my mentor and my dear friend Lari Goss. But, for a good number of folks (maybe age 40 and older), this is how you began.Ī yellow legal pad.
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It tells you how this system came to existence and gives you step-by-step instructions on how to chart any song.Clinton Roemer, Staedtler Mars Plastic Eraser, Judy Green Sheet Musicįor a pretty large collection of folks, those words probably don’t mean anything. If you would like to get really proficient at this "language", I recommend Chas Williams's book, The Nashville Number System. These are the basics of the Nashville Numbering System.
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To represent a diminished chord, put a little circle after the number.